My rating: 4 of 5 stars
Great Russian novel and an important piece of work. An interesting exploration of nihilism.
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"how does a man decide in what order to abandon his life?"
“The old are just the same as the little ones, they like someone to pity them—but nobody pities the old.”
“When people have no real life, they live on their illusions. Anyway, it’s better than nothing.”
“When our time comes w shall die submissively, and over there, beyond the grave we shall say that we’ve suffered, that we’ve wept, that we’ve had a bitter life, and God will take pity on us.”
“The people who come a hundred years or a couple of hundred years after us and despise us for having live in so stupid and tasteless a fashion- perhaps they’ll find a way to be happy…As for us… There’s only one hope for you and me…The hope that when we’re at rest in our graves we may see visions-perhaps even pleasant ones.”
"The fear of death is an animal fear. You've got to suppress it. It's only religious people who consciously fear death-because they believe in a future life and are afraid they'll be punished for their sins."Treplyov's views on writing:
"We don't have to depict life as it is, or as it ought to be, but as we see it in our dreams."
"Everyone writes what he wants to and as he is able to."Dorn's views on writing:
"A work of art must express a clear, definite idea. You must know what you are aiming at when you write, for if you follow the enchanted path of literature without a definite goal in mind, you'll lose your way and your talent will ruin you."Trigorin's view on writing:
"I'm obsessed day and night by one thought: I must write, I must write, I must write...For some reason, as soon as I've finished one novel, I feel I must start writing another, then another, then another...I write in a rush, without stopping, and can't do anything else."
"Yes, while I'm writing I enjoy it. I enjoy reading proofs, too, but...as soon as the thing comes out in print I can no longer bear it. I immediately see that it's not what I intended, that it's a mistake, that it oughtn't to have been written at all, and I feel angry and depressed...And then the public reads it and says: 'Yes, it's charming, so cleverly done...Charming, but a far cry from Tolstoy.'...Or 'A very fine piece of work, but Turgenev's Fathers and Children is a better book.'And so it will go on till my dying day-everything will be charming and clever-nothing more. And when I die, my friends as they pass by my grave, will say: 'Here lies Trigorin. He was a good writer, but not as good as Turgenev.'"
"In my ninetieth year, I decided to give myself the gift of a night of love with a young virgin."
"This was something new for me. I was ignorant of the arts of seduction and had always chosen my brides for a night at random, more for their price than their charms, and we had made love without love, half-dressed most of the time and always in the dark, so we could imagine ourselves as better than we were ... That night I discovered the improbable pleasure of contemplating the body of a sleeping woman without the urgencies of desire or the obstacles of modesty."
"It is a triumph of life that old people lose their memories of inessential things."
"We do not waste away with time; time is a tool that carves away our excess, like a chisel chips away marble to reveal a work of art."
"I have never gone to bed with a woman I didn't pay ... by the time I was fifty there were 514 women with whom I had been at least once ... My public life, on the other hand, was lacking in interest: both parents dead, a bachelor without a future, a mediocre journalist ... and a favorite of caricaturists because of my exemplary ugliness."
"A minor writer, especially, if he hadn't had much luck, sees himself as clumsy, awkward, and unwanted...drawn towards people connected with literature, or art, but then he just wanders among them unrecognized and unnoticed, unable to look them straight and courageously in the eye, like a passionate gambler who hasn't any money."
"when I die, my friends as they pass my grave will say: "Here lies Trigorin. He was a good writer, but not as good as Turgenev.""
"I'm a seagull...I think now I know, Kostya, that what matters in our work- whether you act on stage or write stories- what really matters is not fame, or glamour, not the things I used to dream about- but knowing how to endure things. How to bear one's cross and have faith. I have faith now and I'm not suffering quite so much, and when I think about my vocation I'm not afraid of life."
"Well, five years have passed, and she [his wife] still loves me, but I...Here you are, telling me she's soon going to die, and I don't feel any love or pity but just a sort of indifference and lassitude..."While this language may suggest that Ivanov is melodramatic he is nothing but deeply depressed and disturbed.
"I knew what inspiration was then, I knew charms and poetry of those quiet nights when you sit at your desk working from sunset till dawn, or just sit and muse, and dream."Even though he's only thirty five, he feels old and the soliloquy suggests a deep depression and a longing for his long lost youth. He struggles with the idea of watching his wife die but cannot bring himself to love or care for her. He feels nothing and it is this nothing that upsets him most. Unlike melodramatics, Ivanov is aware of his true feelings and is not playing them up. He refers to himself as Hamlet in at least three instances throughout the play but it is in Act Four that his words ring the most true.
"To realize that your life's energy has gone for ever, that you've got rusty and stuck up to your neck in disgusting bog of melancholy...I still have some pride and conscious left."His suicide in the final line of the play further reiterates the idea that he is not merely pretending to be a victim but, in reality, is one.
When Bingley calls Elizabeth a “studier of character” (58), he names one of the major activities and concerns in the novel: evaluating people. While the book opens with an evaluation of Mr. Bingley in terms of his marital status, sex, and money, Elizabeth focuses on deeper qualities. When Bingley says that it “must be an amusing study,” his language emphasizes that Elizabeth needs to entertain herself in a small community with somewhat limited diversions. The word, “study,” however, underscores the importance that both Elizabeth and the narrator give to this activity. In fact, the novel’s title includes two character traits that play important roles in the story, so Bingley’s quick response holds much more significance than first appears.
The topic of “intricate characters” provides an opening for not only Bingley and Elizabeth but also Darcy and Mrs. Bennet to reveal more about their characters. . . .